February 27th, 2012

This is how Steven Spielberg handles rejection.  He felt confident that Jaws was going to get nominated for an Oscar in every major category.  It fell far short of those expectations.  Most importantly, he was not nominated for best director.  He laments “I got beaten out by Fellini.” 

Like many, he blames the Academy’s nonsensical decisions for his heartbreak.  We forget that the Academy is just a bunch of people.  All of these people have their own experiences that are likely quite different than our own.  By age.  By wealth.  By upbringing.  If we’re looking for any group of individuals to accept us and praise us for our accomplishments, we’re almost always going to be disappointed.  At some point, we’ll end up looking foolish like Spielberg does in this short clip.  I think his career ended up being just fine. Jaws was certainly not the best movie he ever made.

[Video: TVTV Looks at the Academy Awards (1976)]

February 16th, 2012

What does an Oscar and an A-list celebrity get you?

Not much, apparently.  Chuck Tryon describes his amusing experience trying to rent the Matt Damon-narrated, Oscar-winning feature film Inside Job:

But after Ferguson’s powerful Oscar acceptance speech, in which he reminded us that not a single financial executive had gone to jail for his or her responsibility in the financial meltdown, the film seemed to disappear. For that reason alone, I was glad that MoveOn picked it up as a part of its house party series. It’s worth noting that the current home video ecosystem likely contributes to that. The documentary was distributed by Sony Pictures Classics and through Sony’s Home Entertainment division, and (because of that?) it is currently unavailable for streaming on Netflix. None of the Blockbuster Video stores in the area had the movie available for rental. And when I called one local video store to ask for Inside Job, the clerk stepped briefly away from the phone, came back and gruffly asked, “do you want the adult version?” The movie was also unavailable through Redbox kiosks, which ultimately meant that we had to purchase a copy for our house party. I don’t think this is a specific “conspiracy,” just that our current distribution model provides much greater potential for independent and low-budget films to “disappear” from public consciousness and even easy (or at least inexpensive) access. As a result, even hosting a screening now seems like a valuable contribution to the wider political discussion.

That is the sad state of domestic distribution in the United States.  The only reason Ferguson’s documentary remains at all relevant is because it inspires conversation.  Whatever you make, make sure it inspires conversation.

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@dschmudde

Techniques for directing film. More than the script, bigger than the screen - the tangible and mystical characteristics of truly great filmmaking.